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ChromaLuxe Named Sponsor of 2017 Louisville Photo Biennial


LOUISVILLE, Ky., Sept. 19, 2017 /PRNewswire/ — ChromaLuxe, the global leader in dye-sublimation metal prints, announced today that it will be a sponsor of the 2017 Louisville Photo Biennial. The Biennial will be held from September 22, 2017 to November 11, 2017 throughout the Louisville Metro region and surrounding communities including Southern Indiana, Frankfort, Bardstown, and Lexington.

Now in its 10th year, the Biennial will feature more than 50 photography exhibitions – spanning traditional to contemporary, local to global work – that will be shown at museums, galleries, universities, and cultural institutions. The Louisville Photo Biennial also presents accompanying workshops, public lectures and panel discussions to stimulate learning and reinforce visual literacy. The goal is to educate via meaningful dialogue and bridge understanding in a diverse world through this dynamic medium.

“As a frequent sponsor and host of photo exhibitions and events across the globe, ChromaLuxe is proud to take a leadership role in celebrating photography in our hometown of Louisville, Kentucky,” said Steve Flores, ChromaLuxe Global Brand Manager. “It is great to see our regional galleries, museums, universities, and more come together to recognize and celebrate fine art photography.”

This year’s Biennial is dedicated to the memory of Louisville photographer Julius Friedman who passed away on July 16 of this year. Friedman was a cornerstone of the Louisville arts community and was an internationally famous designer, photographer, artist, book maker, gallery owner and timeless contributor to local arts organizations and artists. His work and life brought joy and visual richness to this community, and he always found ways to engage a variety of audiences. His Botanica series will be on display at Unique Imaging Concepts with all images printed on ChromaLuxe aluminum. Exhibition opening receptions details below:

Botanica by Julius Friedman  
Thursday, Sept. 21  
6:00 pm9:00 pm

Unique Imaging Concepts  
200 Distillery Commons #100  
Louisville, KY 40206

“We are thrilled to have ChromaLuxe on board as a major sponsor of the Louisville Photo Biennial,” said Paul Paletti, Director of the Louisville Photo Biennial. “ChromaLuxe is a longstanding steward of fine art photography, and we look forward to working together this year and going forward.”  

About ChromaLuxe

ChromaLuxe is the global manufacturer of premium print media, supplying high quality blank substrates for a variety of applications that require superb image quality and durability. All coatings and substrates are made in the USA with manufacturing and fabrication done in Louisville, KY. With additional locations in Belgium and Australia, ChromaLuxe serves its global customer base and provides products to more than 80 countries.

ChromaLuxe is an extension of Universal Woods, the world’s leading manufacturer of hard surface sublimatable products and mezzanine decking. It is also a sister brand to Unisub, which provides the highest quality custom sublimatable products. To learn more about ChromaLuxe, please visit: ChromaLuxe.com. Connect with ChromaLuxe on Facebook (facebook.com/realchromaluxe), Instagram (instagram.com/realchromaluxe) and Twitter (twitter.com/realChromaLuxe).

Note: ChromaLuxe is a registered trademark of Universal Woods, Inc. All other product and brand names are trademarks and/or registered trademarks of their respective companies. ChromaLuxe disclaims any and all rights in these marks.

Contact:  
Alesha Yaney, ChromaLuxe  
502-855-3227  
177007@email4pr.com  

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Congress leader sacked for anti-Rahul comment reinstated


Senior Congress leader T H Mustafa, suspended from the party for making derogatory remarks against AICC vice-president Rahul Gandhi, has been reinstated after he apologized to the central leadership for his misdemeanour.

PTI | Nov 25, 2014, 11.53 AM IST

THIRUVANANTHAPURAM: Senior Congress leader T H Mustafa, suspended from the party for making derogatory remarks against AICC vice-president Rahul Gandhi, has been reinstated after he apologized to the central leadership for his misdemeanour.

According to Kerala Pradesh Congress committee president VM Sudheeran, AICC had given its approval to take Mustafa back to the party by revoking his suspension from the primary membership.

“Mustafa had given a letter to the AICC profusely apologizing for his remarks against Rahul Gandhi. Accepting his regret the leadership has directed the state unit to revoke his suspension,” Sudheeran said in a statement today.

A former state minister, action against Mustafa was taken in June after he called Rahul Gandhi a “joker” saying the party Vice-President should be removed if he did not resign in the backdrop of the party’s debacle in the Lok Sabha polls.

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Joe Budden Says Bad Bhabie And Kodak Black Are The Same



Danielle Bregoli gained national attention as the “Cash Me Ousside” girl with a mean temper and disrespectful attitude on a segment of Dr. Phil’s show. But now the young teen is trying to take her overnight stardom to the next level as Bad Bhabie, the rapper. The star stunned many fans and critics when it was announced that she had landed a record deal with Atlantic Records, but if you ask Joe Budden, it shouldn’t be all that surprising. In fact, Budden explained how Bad Bhabie skyrocketed to musical fame is the exact same way Kodak Black did it.

In the latest episode of Everyday Struggle, which aired on Sept. 18, Budden commented on Atlantic’s newest signee. Around the 10-minute mark, the co-host suggests that it wasn’t Bad Bhabie or Kodak’s rapping skills that got them to where they are now. “Why is everybody angry that this girl is signed to Atlantic? I’m not defending this signing. This signing is trash. But she did the same thing as Kodak Black,” he said.

When asked what he meant by that, Budden went into more detail, revealing how a record company really operates and what they might be looking for in its artists. “Rapping is one percent of a record deal now. Are we talking about Kodak Black and f**king Bad Bhabie’s rapping abilities? No,” he continued. “We talking about marketability when it comes to the record business. This young lady is the exact same as Kodak Black and all the rest of the little f**kies.”

While DJ Akademiks tried to stick up for Kodak’s skill, the truth is, Budden does have a point. Bregoli’s debut single “These Heaux” had no real bars or rap potential but it charted at No. 77 on the Billboard Hot 100. Additionally, her music video has garnered more than 2 million views to date. Kodak Black has similarly dominated the charts. So while they won’t necessarily be the next Jay-Z or Lil’ Kim, they are obviously flashing dollar signs when record labels look at them.

(Photos from Left: Johnny Nunez/WireImage, Matthew Eisman/Getty Images, Johnny Louis/FilmMagic)



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Meyerhoff Scholar Nominated to be the Next U.S. Surgeon General



U.S. Surgeon General

Indiana State Health Commissioner Dr. Jerome Adams has been nominated to be the next Surgeon General of the United States by the Trump administration.

According to his bio on the state’s website, Adams’s extensive background includes roles as an assistant professor of clinical anesthesia at Indiana University School of Medicine and as a staff anesthesiologist at Eskenazi Health, where he is chair of the Pharmacy and Therapeutics Committee.

U.S. Surgeon General (Image: Dr. Jerome Adams courtesy of the Indiana Department of Health)

 

 

Meyerhoff Scholar

 

A Maryland native, Adams is a graduate of the prestigious Meyerhoff Scholars Program at the University of Maryland Baltimore County, where Freeman Hrabowski is president.

Meyerhoff Scholars were originally all African American and male; the program now includes women and students of all racial “backgrounds who are committed to increasing the representation of minorities in science and engineering,” according to a historical timeline of the program.

Through the Meyerhoff Scholars Program, Adams studied under Nobel Prize winner Dr. Tom Cech.

As governor of Indiana, Mike Pence, who is now vice president of the United States, appointed Adams to be health commissioner in 2014. Adams has reportedly met with members of the Trump administration to discuss health, healthcare, and community health.

If confirmed, Adams will be the second African American man to serve as U.S. Surgeon General (the first was Dr. David Satcher; the first black person was Dr. Jocelyn Elders).

 

The Doctor Is In

 

Adams, who has a master’s degree in public health, has been widely credited with helping to contain an explosive HIV epidemic in a rural Indiana county by advocating the use of a clean needle exchange.

“Health workers credit Adams with persuading Pence to allow Indiana counties to create syringe exchanges to contain the spread of the disease. ‘We wouldn’t have syringe exchange if it wasn’t for him,’ says Carrie Lawrence, a public health researcher at Indiana University who helps implement syringe exchange programs throughout the state,” NPR reports in a post on Adams.

Although it seems counterintuitive, clean needle exchanges have been shown to halt the spread of HIV, rather than increase drug abuse. Pence was reluctant to allow the exchange; Adams told the New York Times that he shared the governor’s concerns.

But Adams quickly grasped that the county was in crisis, and understood that extraordinary measures were called for.

His ability to assess the situation quickly and to make a decision based on evidence recommends him as an outstanding health leader for our nation. Adams gets my vote.



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Movie Review: Transformers: The Last Knight


Movie Review: Transformers: The Last Knight

Transformers The Last Knight (English) (2)1

Back in 2007, we saw the release of the film TRANSFORMERS which was an adaptation of yet another comic book that told the story of mechanized sentient life forms. Now almost a decade later, the films have developed into a franchise with the fifth instalment hitting screens this Friday. But will the fifth edition titled TRANSFORMERS: THE LAST KNIGHT transform into a success story at the box office is what we analyse.

Starting off from where the previous film TRANSFORMERS: AGE OF EXTINCTION ended, the latest in the series TRANSFORMERS: THE LAST KNIGHT follows the journey of Optimus Prime who eventually finds his dead home planet, Cybertron, in which he comes to find who was responsible for its destruction. Convinced by a higher power to bring Cybertron back to life, Optimus sets out on a mission to find an artefact that is on Earth. From here the film switches to the past, it is 484 AD, King Arthur’s wizard Merlin forges an alliance with the Knights of Iacon, a group of twelve Transformers who have been hidden on Earth. The knights give Merlin an alien staff, and combine into a dragon to help Arthur triumph over the Saxons. The years pass and the staff is lost to history. In the present day, the governments on Earth have declared Transformers illegal, and the multinational Transformer Reaction Force (TRF) has been formed to eliminate the alien robots. Despite the absence of Optimus Prime (who left the planet to search for his creator), new Transformers continue to arrive regularly; the newest ship to arrive crash-lands in Chicago, where it is found by a group of children. When a TRF mecha confronts the kids, they are saved by Izabella, a survivor of the Battle of Chicago, and her Transformer companions Sqweeks and Canopy. Bumblebee and Cade Yeager arrive and help them escape, but Yeager is unable to save the Transformer, Steelbane, in the ship. Before he dies, Steelbane attaches a metallic talisman to Yeager’s body—an act observed by Decepticon Barricade, who reports to his leader Megatron. From here on starts a struggle between the remaining Autobot transformers along with Yeager and the Decipticons to acquire the staff that will save Cybertron.

Much like the previous films in the series TRANSFORMERS: THE LAST KNIGHT boasts of high octane action sequences that are not just shot on a large scale but also executed to create awe and wonder in the viewer’s mind. Director Michael Bay who has consistently been outdoing himself with each new transformer flick has done it yet again. The enormity of the canvas and the imminent doomsday knell that rings is portrayed on epic global proportions. However, despite the slickness of the film and the visuals that keep you gripped, the film does have its flaws. Though one does not expect an enthralling story line from a film like this, the rather weak plot and the by now monotonous idea that the world is going to end and the only hope of survival is Optimus Prime and his Autobots, does become a downer. If that wasn’t all, the film is pretty lengthy with a run time of nearly two and a half hours. This unexpectedly long run time, which could easily have been solved on the edit table, makes the film a bit of a drag and drawn out.

Transformers The Last Knight (English) (2)

The background score of the film by Steve Jablonsky, who incidentally has composed the music for all of the films in the TRANSFORMERS series, goes a long way in building up the onscreen happenings for a final crescendo during the climax. Jonathan Sela, who has earlier displayed his capabilities with films like MAX PAYNE, A GOOD DAY TO DIE HARD and JOHN WICK to name a few, does it yet again, as the DOP Sela excels in showing sweeping visuals that capture the grandness of scale that is heightened with the VFX. Mark Sanger, John Refoua, Adam Gerstel, Roger Barton, Debra Neil-Fisher and Calvin Wimmer who lend their abilities on the editing table do an equally good job. However, despite the rapid progression on screen there are instances that could well have been trimmed, reducing the total run time of the film. Anthony Caron-Delion heads the art department and does well with the on screen visuals, assisted by Todd Cherniawsky who developed the sets of the film, the duo manage to add a much needed scale to proceedings.

Coming to the performances, though most of the characters are CGI developed, the live action actors viz. Mark Wahlberg as Cade Yeager, Josh Duhamel as Colonel William Lennox, Laura Haddock as Vivian Wembley and Isabela Moner as Izabella are decent. However, the inclusion of Anthony Hopkins as Sir Edmund Burton though only in a cameo is pretty entertaining. Given the fact that Hopkins’ character acts as a link between the past and the present, the actor who has in the past held up films on his more than capable shoulders does yet another magnificent job with his limited role.

On the whole, despite its weak story line, TRANSFORMERS: THE LAST KNIGHT is a visual treat for the fans of the franchise. Also, given that there is no prominent release at the Indian box office this week; this is a good big screen experience for action movie lovers.



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Music Review – Dear Zindagi


Music Review – Dear Zindagi

Dear Zindagi-121

EXPECTATIONS

Though a couple of songs from Dear Zindagi have been on air for a while, surprisingly the entire soundtrack has been unveiled just a couple of days back. Considering the fact that the film is a biggie, one would have expected a much sooner arrival for the music which has composer Amit Trivedi and lyricist Kausar Munir at the helm of affairs.

MUSIC

Jasleen Royal has been making her presence felt of late and she does well yet again with the opening number of the album, ‘Love You Zindagi’. A beautifully written and composed track, this one is sung quite well too, hence making it a complete package affair. While the start is fantastic, it is also the chorus portion that makes the song all the more special. Hear this one on a ride down the highway and you would fall in love with it. There is a ‘club mix’ version of the song too that has Alia Bhatt coming behind the mike. She does well too and gives a good account of herself as a singer. This is one double whammy that you like.

It is the sound of guitar that kick-starts the proceedings for ‘Tu Hi Hai’. Just the kind of song that you would like to pick up when the name Arijit Singh appears on the credits, this one revels in simplicity and you wonder if it could well have made a straight entry into an Imtiaz Ali-Ranbir Kapoor film! With the kind of flow to it that makes you croon along as it plays, this one is for an evening with friends around a bonfire.

Guitar and Arijit Singh go hand in hand for ‘Taarefon Se’ as well, though this time around there is saxophone playing a vital role as well. With an old world feel to it, this one has a trademark Amit Trivedi stamp to it. One is almost transported to a stage where a live performance is on the way in a nice and cosy lounge with a candle light dinner in the offering. Though this one isn’t the kind that emerges as a chartbuster, it should play on well with the film’s narrative.

Remember ‘O Pardesi’ [Dev D]? Well, there is a similar vibe here too, at least in the beginning portions. Vishal Dadlani is the one behind the mike for ‘Let’s Break Up’ which, as the title suggests, is about moving on in life when things aren’t really working out in the lives of a couple. There was a ‘Break Up song’ heard very recently in Ae Dil Hai Mushkil too which was more on the peppy side with a ‘desi’ touch to it. This one is more Western in its theme and has its play restricted to the film’s run.

Given the film’s theme and treatment, it seems imperative that the central protagonist Alia Bhatt seems to be finding her way into finding out (or moving away from) love. This is evident in the next track too which has been titled ‘Just Go To Hell Dil’. The song sees the arrival of Sunidhi Chauhan on the musical scene after some time and this time around it is the conversation with a ‘dil’ which is in the motions.

Last to arrive is the legendary track ‘Ae Zindagi Gala Laga Le’ from Sadma [Composer: Ilaiyaraaja, Lyricist: Gulzar] which has been recreated by Amit Trivedi. What seemed to be an exception till a year ago has now almost become a trend where practically every second film has a song from the past being recreated. While one waits to see whether this trend would continue in time to come as well, one wonders if originality would take a back seat eventually. That said, the original song in this case is thankfully not tampered with much in the Arijit Singh version and later the Alia Bhatt version doesn’t sound odd either!

OVERALL

Dear Zindagi primarily has a series of situational songs that should sound good in the film’s narrative. With half a dozen songs in there, one waits to see if they all feature in the film.

OUR PICK(S)

‘Love You Zindagi’, ‘Tu Hi Hai’, ‘Ae Zindagi Gale Laga Le’



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